shelley_winters (
shelley_winters) wrote2006-10-24 10:21 pm
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It is several hours before Shelley gets bored of glaring at walls.
Not that she only glared. She walked about, examining the place, and mentally criticising the furnishings. Well, if he's determined to stick to monochrome, he should be prepared for that.
He still keeps knives in the drawers. She looks at one for a long while before carefully closing it again and stepping away to look out of the window instead.
But a long while after it had grown dark, her irritation is finally directed more specifically - namely at the fact that she is stuck in here. So the girl heads defiantly for the door, peering out before heading into the corridor to find her own room.
Not that she only glared. She walked about, examining the place, and mentally criticising the furnishings. Well, if he's determined to stick to monochrome, he should be prepared for that.
He still keeps knives in the drawers. She looks at one for a long while before carefully closing it again and stepping away to look out of the window instead.
But a long while after it had grown dark, her irritation is finally directed more specifically - namely at the fact that she is stuck in here. So the girl heads defiantly for the door, peering out before heading into the corridor to find her own room.
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The curtains, like ghosts, flutter in the moonlight.
Their is something by the door of Shelley's room. A pool of red spread across the floor, and the body of a woman lying beside it.
In the moonlight, a knife could be seen buried in the wreckage of her throat. There was a small trail, upon inspection. The blood was spattered where her hands lay like a puddle where a child had been playing. The blood was still fresh under her nails from when she had tried to crawl away, still unwilling to die.
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She's dead.
The woman's dead, but she takes an automatic step forward, anyway, years of training to check for breathing, for a pulse, call an ambulance...
But there is no ambulance, and that woman is dead, she knows it. There's one sensible thing she could do here and after standing stock still for a time that feels impossibly long, she shakes herself into looking about for a comm unit.
There's one inside her room.
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She would be found.
The knife glistened in the moonlight as the curtains were violently thrust aside.
Where was she?
A glance to the bathroom before silently sliding through the door.
She would be found.
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But the woman is dead, and that pool is made of blood. She's too far away, but her subconscious conjures up the smell and she shudders, stomach churning.
Shelley backs into the small library on the other side of the hall, face white but set, making for the discreet unit on the other wall.
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It is the sound of the door to Shelley's room, opening.
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"One of the maids is dead," she says, as soon as the answering chime sounds, not waiting to see who it is.
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"Oh?"
Maids died all the time. That was not unusual. What was unusual was Shelley knowing about it, or someone attempting someone when the house was on high alert. That meant...
"Lady Shelley, I want full details immediately. After you seal the door. Do it now."
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A slightly fumbled sequence into the keypad by the door means she has to re-enter the code, biting her lip edgily. She wishes, rather distractedly, that they had bolts, too. She knows that technically the electronic locks are stronger, but she is very aware that if somebody knows the right code...
She goes back to the comm.
"She's outside my room. I didn't go in, she'd been stabbed." One hand goes involuntarily to her neck. "V-very dead."
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"I will alert Lord Ishamael immediately. No maid, especially a dead one has any business by your room. I want you to input the following code into the door: A-3-1-9-C-0-0-Y-4-6. That is the Seal Room code. No intruder should be able to override it. Do it now."
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A-3-1-9-C-0-0-4-6
"...Okay. I think that's it."
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"Lord Ishamael has been made aware of the situation and we are taking steps to investigate. Please stay there, Lady Shelley. Call if you have need."
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She turns the comm off, and goes to pick up a book, anxious and upset. It looks like she'll be stuck here for a while, as they hunt for whoever did it.
She hates this place so much.
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And nobody's even there. Or-
She can't quite focus on the figure, but-
(What?)
The door is open. One hand goes almost automatically to pull the chain out of her dress, lifting the ter'angreal into her hand as a precaution in case...
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The door closing makes sound.
The smile makes no sound.
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And she scrambles backwards, out of the chair, fingers pressing desperately at the stone, because if she can't see that means a Channeller, and she won't be taken again, she won't.
Helpmehelpmehelpme!
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The sound of a dry whisper, like a wind among broken glass, a voice from a far room, dying with a dying fall.
...There you are...
The glint of empty eyes, like dying stars.
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Shelley stumbles against the footstool, but pulls herself upwards, eyes frantically darting around the room, unable to take proper notice of the silent, half-dead figures.
She keeps backing away until she hits a figure behind her, and lets go of the necklace in shock as arms wrap around her tightly.
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The shadows stretching along the floor quivered, and then disappeared.
A moment later, the sound of bodies hitting the ground, before a soothing voice spoke.
"You are safe."
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Just like he tried to teach her.
"...Who were they? And- I couldn't see them. What are they?"
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"They are the Grey Men. They are difficult to detect because they have no souls. We have never quite been able to figure out why."
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"...Oh. Right."
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"There will be more, I suspect. Graendal always was thorough. Let us find Vashti and leave the house."
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She doesn't really want to go anywhere other than home, but the idea of seeing more is not a pleasant one.
"Where are we going?"
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"I have a small residence in the mountains, I think we can visit. There is snow in the mountains this time of year."
Releasing her shoulder, he stepped forward to look down the hall.
"We will need to be very careful as we go. Even I cannot see them all that effectively."
Silently and without really looking at her, he offered a hand out to her.
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She doesn't want to die.
But more, she doesn't want to face that almost-person again, and feel her gaze and notice slip away even as they raise a knife...
She shivers.
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I win again
Peering into the hall carefully, Ishamael frowned at the eerie twilight as the moonlight sifted through the curtains.
"Let us go, Lady Shelley."